THE QUORUM CLUB, MUMBAI
RAJNISH CHHANESH | ANILAKUMAR GOVINDAPPA | VIVEK VC | SHASHIKANTA MOHANTY
In a house built of memory, breath, and silence, four artists gather: Anila Govindappa, with his paintings that echo like footsteps through familiar corridors, each room heavy with the presence of lives lived, paused, and remembered; Rajnish Chhanesh and his miniatures, that highlight the dream-fog of a world unraveling, with hues soft yet ruptured; Shashikanta Mohanty and his visual murmurs that come through layered blueprints of brutalist silhouettes—ghost towns of ancestral land, where destruction speaks not of loss but of a restless will to remember; and Vivek V C’s watercolours, folding in the scent of petrichor, tracing lullabies gone hoarse with time, tracing porous lives between presence and forgetting, between the hand that held and the one that faded.
To build a home is an exhibition where stories are creating, crumbling, and colliding into an architecture of testimony, memory, and our shared past. Whether a seasoned collector or a first-time buyer, become drawn into a fantastic coterie of artistic practices that are defining a visuality that is decidedly Indian yet abstract; hitherto unseen yet felt all-too-familiar.
CURATED BY INTERSPACE AT THE QUORUM CLUB, MUMBAI
Rajnish Chhanesh
Rajnish Chhanesh creates miniature paintings that explore the fragile relationship between humans and nature. Rooted in memory and ecological reflection, his dreamlike visuals counter digital oversaturation and invite sensory presence.
Anilakumar Govindappa
Anilakumar Govindappa’s works function as layered visual diaries, drawing on personal memory, daily encounters, and themes of belonging and community that offer an intimate glimpse into his surroundings.
Vivek VC
Vivek VC explores memory, imagination, and the ambiguities of experience. Drawing from mythology, family archives, and oral histories, his ethereal compositions resist linear narratives, offering a poetic reimagining of personal history.
Shashikanta Mohanty
Shashikanta Mohanty’s research-driven practice delves into architecture, memory, and sociopolitical shifts. He focuses on brutalist structures from post-independence India as vessels of personal and collective history.
