Goats III, 2023
Ink on Paper
19.5 x 17.8 cm
Unsigned, accompanied by a certificate signed by the artist
Unique Work
Includes Certificate of Authenticity
Inclusive of all taxes
In this body of work, G Rahul turns his gaze to the goats he encountered each morning, their playful movements offering a counterpoint to the weight of daily routine. For an artist whose practice often revolves around faceless figures and symbolic objects as stand-ins for human presence, the goats emerge as living metaphors—animated, unpredictable, full of character. Their vitality unsettles the urban association of goats as mere food, reframing them instead as beings with agency and spirit. True to Rahul’s imagemaking practice, the works transform these simple encounters into textured narratives that blur the boundaries between the ordinary and the profound. What begins as the act of watching animals at breakfast becomes a meditation on perception itself: how context alters meaning, and how life, when observed closely, resists reduction to utility or stereotype.
Drawing inspiration from everyday encounters, travel, memories, and the layered complexity of human emotions, G Rahul’s (b. 1997) practice is grounded in printmaking yet constantly expands its possibilities. His works often feature faceless figures and distorted forms accompanied by symbolic belongings — slippers, boxes, or found wooden objects — that act as stand-ins for human presence and memory. Working from a diary of preparatory sketches, and incorporating fragments from photographs, newspapers, and magazines, Rahul weaves together personal philosophies and stories into richly textured compositions. By engaging both traditional and experimental printmaking techniques, he seeks to evoke nostalgia, wonder, and introspection in his viewers. Through his work, G Rahul positions printmaking as a vital medium of contemporary reflection, one that captures fleeting moments of lived experience and transforms them into resonant, symbolic narratives.
Rahul received his Master’s degree in Visual Arts (Graphic Arts) from the Maharaja Sayajirao University of Baroda in 2023, following a Bachelor’s degree in Printmaking from the College of Art, New Delhi (2021). His formative years included participation in the National Art Camp of Printmaking under Jagdeesh Tammineni in Kerala (2019) and a lithography workshop with Devraj Dakoji (2023), which shaped his technical and conceptual engagement with the medium. In recent years, his work has been widely exhibited in India and internationally, including Lineage as Language (Rukshaan Art Gallery, Mumbai, 2025), In the Small Infinite (Method Kala Ghoda, Mumbai, 2025), Shapeshifters and Storytellers (Archer Art Gallery, Ahmedabad, 2025), Printed Voices from India (SOS Art, Cincinnati, USA, 2024), and the 132nd Annual Art Exhibition at the Bombay Art Society (2024). His earlier participations include Yuva Sambhava Prints at the Raza Foundation (2023), the 96th All India Fine Arts and Crafts Society Exhibition (2023), and Abir Space (Ahmedabad, 2021). Rahul’s contributions have been recognised with the 96th AAIFACS Award in Printmaking (2023), the Kala Chaupal Trust LADN Emerging Printmaker Grant (2023), and the Po10tial Seedhi Scholarship (2023). Alongside his exhibitions, he has conducted printmaking workshops in Mumbai and Gujarat, extending his practice to collaborative and community contexts.
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“For me, image making is more than just a technique; it’s a way of translating my thoughts and emotions into tangible form. Each work is a visual poem that speaks to the shared experiences that unite us all.”
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