The Pillar, 2023
Watercolour, Acrylic and Charcoal on Paper
115.82 x 82.8 cm
Unsigned, accompanied by a certificate signed by the artist
Unique Work
Includes Certificate of Authenticity
Inclusive of all taxes
In The Pillar, Soumen Ray constructs a monumental image out of the human body itself: a literal pillar composed of countless figures stacked one upon another. Some bend under pressure, some climb, some are crushed, while others provide support. The structure, precarious yet unyielding, becomes an emblem of the unseen foundation upon which the nation rests—the collective labor force and the anonymous masses whose endurance sustains society. Ray translates this human architecture into a poignant metaphor, exposing both the burden and resilience embedded in everyday survival. The work is not only a commentary on exploitation and dependency, but also a recognition of solidarity, fragility, and the invisible scaffolding of life.
Rooted in memory and everyday encounters, Soumen Ray’s (b. 1999) practice is shaped by the aesthetics of embroidery and the cultural histories embedded in domestic craft. Having grown up watching his mother and aunts embellish household textiles—pillow covers, fabrics, and other functional objects—with embroidered flowers, butterflies, and personal motifs, Ray carries forward this tradition as a contemporary painter. For him, embroidery is not only a technique but also a way of investing ordinary surfaces with meaning, intimacy, and care. By translating these motifs into his imagery, Ray repositions what is often considered a decorative or marginal craft into a central language of his artistic practice. Bringing together painting, memory, and embroidery, Ray’s practice continues to evolve as a meditation on simplicity, care, and the transformation of the ordinary into the poetic.
Ray completed his BFA in Painting from the College of Visual Art, Indira Kala Sangit Vishwavidyalaya (2016–2020), where he began exploring embroidery as an extension of his painting practice. He further honed his skills at Lalit Kala Academy, Kolkata (2021–22), and is currently pursuing his Master’s in Visual Arts (Painting) at the University of Kalyani (2022–24). His work has been exhibited widely, including at the Academy of Fine Arts, Kolkata; Birla Academy of Art & Culture, Kolkata; West Bengal State Akademi Annual Exhibition; Paschim Banga Charukola Exhibition; and multiple university annual shows. Over the past few years, he has received recognition through awards such as the College of Visual Art Annual Exhibition Award (2019), the Paschim Banga Charukola Award for Painting (2022), and the prestigious Kala Sakshi Memorial Trust Scholarship (2023).
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"I prefer to represent my daily life experience through my art practice. I believe in the simplicity of life and its beauty through surrounding experiences."