Between Growth and Stillness, 2025
Oil on Canvas
91.5 x 122 cm
Signed at the bottom left corner on the verso
Unique Work
Includes Certificate of Authenticity
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In Between Stillness and Growth, Simran Yagyik lingers on the quiet parallels between human routines and the slow, steady life of plants. The work captures the gestures we perform almost unconsciously, like watering, tending, checking—small, repetitive acts that, over time, shape not only the world around us but also ourselves. It dwells in that threshold between doing and becoming, where change unfolds incrementally, almost imperceptibly, echoing the rhythms of growth and decay that mark both nature and daily life. The painting suspends this moment of care, not as a spectacle but as a meditation on how persistence, patience, and repetition accumulate meaning. This exploration resonates deeply with Yagyik’s broader practice, which traces the emotional undercurrent of mundane routines and the fragile balance between order and disorder. Rooted in her own upbringing within a modest household in Punjab, her works often reveal melancholic truths embedded in domestic life; spaces marked by both comfort and suffocation, belonging and estrangement. Through richly textured surfaces and evocative storytelling, she transforms everyday objects, gestures, and corners into carriers of memory and meaning. Solitary figures in dreamlike interiors, stained cups, worn sockets, or hands mid-motion, all become symbols of endurance and longing, reminders that monotony itself can hold beauty, irony, and even quiet satire. Within this framework, Between Stillness and Growth extends her ongoing dialogue with repetition and routine, yet it shifts the mood from gloom to an unexpected tenderness. By aligning human gestures with the slow vitality of plants, the painting allows for a softer reading of the everyday—where monotony gives way to resilience, and where stillness, instead of suffocating, offers the possibility of renewal. The work situates itself in the fragile space between melancholy and care, suggesting that in the act of tending, we discover the understated poetry of persistence.
Simran Yagyik (b. 1998) delves into the quiet weight of routine and the subtle repetitions of everyday life. Her practice explores the emotional undercurrents of the mundane—where stillness can soothe or suffocate, and where gestures, objects, and overlooked corners of the home become sites of beauty, discomfort, and reflection. Through these explorations, she unravels the melancholic yet poetic nature of domestic spaces, especially the middle-class home, touching on themes of longing, belonging, and the unresolved rhythm of the ordinary. “My practice navigates the quiet weight of routine—the slow build of small, unremarkable moments lived and relived… Within this disorder lies a strange loneliness, a soft sense of insecurity, and a melancholy that’s hard to name but always present,” she reflects.
Simran holds a Master of Visual Arts (M.V.A.) in Printmaking from the Maharaja Sayajirao University of Baroda, where she was awarded the Prof. V.S. Patel Gold Medal, and a Bachelor of Fine Arts (B.F.A.) in Graphics (Printmaking) from the Government College of Art, Chandigarh, Panjab University, graduating with distinction.
Over the past three years, her work has been showcased in significant exhibitions including The Baroda March (Rukshaan Art, Mumbai, 2025), 1X1X9 Edition 2 (Vis-à-Vis Gallery, Vadodara, 2025), Abhivyakti City Arts Project (Ahmedabad, 2024), Untold Stories (IFBE Gallery, Mumbai, 2024), Abir First Take (Abir Space, Ahmedabad, 2024), Nabh Sparsham: Indian Women Printmakers (National Gallery of Modern Art, 2024), Embark VI–VII (Ark Foundation for the Arts, Vadodara, 2024), and Living a Dark Night (2023). She was awarded the Open Hand Art Studio Scholarship for Printmaking (2024–25), the Vis-à-Vis Studio Residency (2024–26), and the Writing Fellowship by BICAR x Space Studio Baroda (2023). Her earlier recognition includes a National Travel Grant by Punjab Lalit Kala Akademi to the Serendipity Arts Festival, Goa, and a studio scholarship from Chandigarh Lalit Kala Akademi at Open Hand Art Studios.
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"My practice navigates the quiet weight of routine—the slow build of small, unremarkable moments lived and relived... Within this disorder lies a strange loneliness, a soft sense of insecurity, and a melancholy that’s hard to name but always present."
Inclusive of all taxes
Inclusive of all taxes
Inclusive of all taxes
Inclusive of all taxes